Three-Thirty Slide 4Three-Thirty Slide 2Three-Thirty Slide 3Three-Thirty Slide 1Three-Thirty Slide 5Three-Thirty Slide 6Three-Thirty Slide 7Three-Thirty Slide 8Three-Thirty Slide 9Three-Thirty Slide 10 Colour. Culture. Conversations.Rungh is a magazine, artist space, archive, and more. Rungh features work by Indigenous, Black, and People of Colour artists. Since 1992. Canadian, multidisciplinary, unique, opinionated.CurrentSolidaridadCarmen Aguirre reflects on repair, reassemble, and reunite.Indigenization And Its Opposite, IndigenizationContronyms as a colonial strategy. New column by David Garneau.Book of WingsFiction by Tawhida Tanya Evanson.Foreign Object in the House of Canadian LiteratureA reflection by Annahid Dashtgard.MagazineRungh Volume 8, Number 1The covid pandemic continues. Artists and arts presenters are clamouring for attention in a crowded digital space as physical gatherings continue to be restricted. This transition is also opening pathways to view and review creations from far away. Pre-pandemic these possibilities existed but were limited, now, all of that has changed. Rungh journeys to different spaces and places in this issue.ProgramsSummer Block PartyPoetry, song and archive reactivations at Hogan's Alley.Primary Colours/ Couleurs primairesEngaging in Centering IBPOC arts and culture.ArchiveBleeding the Memory MembraneChris Creighton Kelly explores artist and institutional strategies in the 1990s.
