Volume 6, Number 2
In This Issue

At Rungh, we like to ask questions. Often, the answers surprise us.
Our Poetry feature in this issue, On Poetry and Complexity, brings together Madhur Anand, Rae Armantrout, Roald Hoffman and Sarah Tolmie as they talk about the presence of complexity, ambiguity, originality and error in their poetry. Osheen Harruthoonyan's art work accompanies the conversation.
What is the role of repetition in an art practice? Indu Vashist and Toleen Touq tackle this question as a part of their text about the artist P. Mansaram, who is featured in the Artist Run Centre.
Features
Repetition is Practice
The art of P. Mansaram.Text by Indu Vashist and Toleen Touq. Art by P. Mansaram. | Read more.
On Poetry and Complexity
A Conversation at the Interface of Art and Science.| Read more.
Prickly Fruit
The Orchard (After Chekhov) reviewedRusaba Alam | Read more.
Picking Trilliums
Excerpt from Coconut Dreams by Derek Mascarenhas.| Read more.
More in this Issue
No Movement Without a Beginning
Exploring political pasts/presents in kathak dance in Ottawa and BangaloreIn the Margins
Alternative arts spaces in Toronto and BangaloreTara Atluri | Read more.
Picking Trilliums
Excerpt from Coconut Dreams by Derek Mascarenhas| Read more.
Prickly Fruit
The Orchard (After Chekhov) reviewed.Rusaba Alam | Read more.
Claiming Visible Space
Reflections on the Vancouver Mural Festival.Shagufta Pasta | Read more.
Countervailing at the Margins
Acts of Refusal in Simranpreet Anand’s ਮੈਂ ਿੲੱਥੇ ਹਾਂ (i am here)Kiran Sunar | Read more.
On Poetry and Complexity
A Conversation at the Interface of Art and Science.| Read more.